It is free, licensed under version 2 of the GNU General Public License.MIDI support (supports many controllers) and (if you want) JACK support.Intuitive and easy to use User Interface.Many settings have a “randomness” option this produces a very pleasant effect (like analogue synths or natural instruments that can’t produces exactly same sound twice).Envelopes can have ADSR (or ASR, etc.) modes or can be free modes (with any shape).Filters up to 60dB/octave (or more) filters can be analogue (LPF,HPF, BPF,etc.), formant (advanced formant filters) and state variable (SVF).Also, you can have instrument’s effect (that is saved with the instrument). You can put any insert effect on any part (or more insert effects to same parts, if you like) or you can put the insert effect to Master output. It was a development of the original Emulator, but with eight analogue synthesizer voices, improved sample quality, up to 1MB of sample memory and an easy-to-use disk-based operating system with LCD display. The effects can behave as System Effects or as Insert Effects this allows you to use many effects at the same time. The Emulator II became the sampler of the mid-80s, and the aspiration of countless musicians until the Akai S1000 arrived in 1988.Effects: Reverb, Echo, Chorus/Flange, Phaser, AlienWah (a kind of vocal morpher), Distortion (Waveshaping), EQ, DynamicFilter.It is possible to choose what items from the kit should be processed by the Part’s effects. Instruments can be organized in kits, which allows you to make drum kits or layered (mixed) instruments this makes it possible to use more than one instrument for a single part.Though not the first commercial sampler, the Emulator was among the first to find wide use among ordinary musicians, due to its relatively low price and fairly contained size, which allowed for its use in live performances. “PADsynth” or “PADnote”) makes beautiful pads and other instruments. The Emulator is a series of digital sampling synthesizers using floppy disk storage, manufactured by E-mu Systems from 1981 until the 1990s.“SUBsynth” or “SUBnote” is a simpler engine which allows you to make sounds by subtraction of harmonics of sounds from white noise.Each voice includes a very powerful waveform generator with up to 128 sine/nonsine harmonics. Each one has filters, envelopes, LFOs, morphing, modulation (Ring Modulation, Phase Modulation, the modulators can have any shape), resonance, etc. ADsynth” or “ADnote” is a complex engine which makes sounds by adding a number of voices.Microtonal capabilities with any scale, any number of notes per octave (up to 127) and keymapping.Realtime, Polyphonic, Multi-timbral synthesizer.ZynAddSubFX is a free software synthesizer developed by paulnasca.

Mac chip emulator synth